Fushi

Mino YakiDavid Caon

A console and lighting piece built from modular ceramic forms using the Mino Yaki technique. Identical modules are made to precise tolerances and assembled, rather than formed as a single body, extending a tableware tradition into furniture and lighting. Held by an internal armature, the same component yields both works through different configurations, unified by a contrasting material element. Precision meets the ancient. The firing of the wilful Oribe glaze disrupts uniformity, making each surface unique and celebrating the tension between the random and the perfect.
Price on Request

Limited Edition of 6 + 2 AP
2026
Ceramics, wood, LED
Credenza W1400 × D380 × H850 mm
Table lamp W350 × D210 × H450 mm

Enquiries: info@craft-x-tech.com
A console and lighting piece built from modular ceramic forms using the Mino Yaki technique. Identical modules are made to precise tolerances and assembled, rather than formed as a single body, extending a tableware tradition into furniture and lighting. Held by an internal armature, the same component yields both works through different configurations, unified by a contrasting material element. Precision meets the ancient. The firing of the wilful Oribe glaze disrupts uniformity, making each surface unique and celebrating the tension between the random and the perfect.
Price on Request

Limited Edition of 6 + 2 AP
2026
Ceramics, wood, LED
Credenza W1400 × D380 × H850 mm
Table lamp W350 × D210 × H450 mm

Enquiries: info@craft-x-tech.com

Mino Yaki, Gifu Prefecture

Mino Yaki, a type of ceramic ware, has been produced in the Tono area of Gifu Prefecture since the 5th century, when Sue ware, potter's wheels, and cellar kilns were introduced from the Korean Peninsula. The craft flourished during the Azuchi-Momoyama period (1573–1600) with the rise of the tea ceremony, inspiring a wide range of artistic pottery. Today, Mino Yaki remains one of Japan's most important ceramic production centers, accounting for over 50% of the nation’s output. It is notable for its diversity, with 15 distinct styles designated as traditional crafts.

Designer

David Caon

Industrial designer, he founded his Sydney studio in 2009, specializing in product, furniture, interior, and aircraft design. A University of South Australia graduate, he honed his skills in Milan with George Sowden and Jerszy Seymour, and in Paris with Marc Newson. He designed the award-winning Boeing 787-9 interiors and most recently Airbus Project Sunrise for QANTAS. His practice combines innovative ideas with industrial logic, creating designs that enhance environments and connect people with their surroundings.

Official Website

Artisan

Yohei Ito, Fudogama

The third-generation head of Fudogama kiln. After graduating from Keio University, he went on to study at the Aichi Prefectural Nagoya Technical High School of Ceramics. He joined the family business in 2006. Mino Yaki ceramic ware, a traditional craft designated by the Minister of Economy, Trade, and Industry, boasts a history of over 1,300 years. Embodying the spirit of “Hyouge Mono” — a sense of aesthetic rebellion and creative freedom — rooted in the cultural flourishing and artistic experimentation of the Momoyama period, Fudogama upholds and revitalizes the traditions of Mino Yaki while creating products that seamlessly fit into modern lifestyles.

Official Website


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