- How did you perceive the incorporation of modern technology and design elements through the collaboration with Hideki Yoshimoto, and what challenges or opportunities did this present for the traditional craft of Aizu Hongo Yaki?
This collaboration has made me realize that there are still many materials yet to be utilized. I believe there are opportunities for Aizu Hongo Yaki to allow freedom in form for a wide range of applications in materials and components, leading to works that can transcend conventional boundaries.
- Can you discuss the specific adaptations made to accommodate the integration of modern technology while maintaining the authenticity of Aizu Hongo Yaki during this collaboration?
I think it was effective to have had Mr. Yoshimoto first see the actuality of Aizu Hongo Yaki, then explore the possibility of design within that context. I focused on how to make it possible to create what was requested from him.
- What aspects of Hideki Yoshimoto’s design philosophy or technological approach were most intriguing or challenging to incorporate into the traditional craft of Aizu Hongo Yaki?
I found Mr Yoshimoto innovative in that he captured the shape of what would usually return to its original state as clay scraps and led it to the design of our product. However, it was challenging but also enjoyable for me to faithfully reproduce the presented design.
- In envisioning the future of Aizu Hongo Yaki, how do you foresee the impact of this collaboration in preserving tradition while embracing modern design and technology? And what do you find particularly charming about pottery?
I believe this collaboration will impact viewers so significantly that it can completely change their perceptions. I find Aizu-Hongo-Yaki fascinating with such possibilities.
- What personal or professional insights did you gain from participating in this collaboration, and how has it influenced your perspective on the future evolution of Aizu Hongo Yaki craftsmanship?
First and foremost, I was reminded that I am a potter. Additionally, in this production, we appointed young individuals, and I realized that passing down traditions is not only about conveying to the young, but also learning from them, and that, too, is tradition.